22 April, 2026
I had big plans of enjoying a fresh NY bagel piled hight with lox and cream cheese for breakfast, but we were still absolutely stuffed from our glutinous repast at Patsy's and were somewhat focused on recovering in time for dinner. We opted for a bit of a lie-in to mitigate our digestive distress.
In a stroke of luck I was able to locate one of our favorite London "quick bite" spots just around the corner and a block or so up the street. Far enough for a nice stretch of the legs and settling of the stomach, but close enough that there were no worries about having too far to walk in the opposite direction to the theater, which was one of the reasons we were in New York in the first place.
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| Pret A Manger |
Rewind to last November (and apologies to the two or three of you who have read the entirety of this blog and find this information redundant.) Actually, rewind even further than that. Rewind to June 2, 2025. (Based on the topic I'm about to discuss I just realized how apropos the "rewind" reference is - a subconscious interjection, or just a twist of luck?)
A co-worker, who was not someone I would have ever selected to be a theater geek, had just returned from his annual theater junket. He and several friends go for a long weekend and pack in as many shows as possible, relying heavily on TodayTix and the infamous TKTS booth for last-minute deals. I've found TodayTix to be a good source if you're planning in advance, but if you're flexible and open to seeing just about anything at the last minute, there are outrageous deals to be had at TKTS. But I digress!
Nic was telling me about the shows he had seen, and among them was Cursed Child. He couldn't stop gushing over the production quality and effects. He was torn to bits because he wanted to share details, but didn't want to spoil anything. I'm thankful that he held his tongue and we were able to enjoy the production with only expectation of being amazed and not anticipation of when the amazement was about to occur.
With this information in-hand, I searched for tickets that would fit our November cruise schedule and purchased them. (Remember, this is June 2, 2025.)
On June 5, 2025 they announced that Tom Felton would be joining the cast on November 11, 2025. Lourie is a huge fan of Tom's after reading his book. Some people complain that he's just another wealthy "poor child star" whining about his life, but she doesn't share that opinion, choosing to see him as a person struggling to manage the expectations of others.
Our tickets were for November 4 and our cruise returned on November 16. I don't know if it would have been less expensive to see the show then or plan a return trip to see the show. Other than our dinner at LeBernardin, I'm not sure that it wasn't cheaper to return!
Now, back to last November - we're sitting at the gate in LaGuardia, waiting for our flight home after the cruise, and I'm checking out Tom Felton's run thus far in Cursed Child, Originally it was announced that he would appear through March 22, but due to demand he was extended through May 10 on his opening day. Our anniversary is May 5. I now have an excuse to bring Lourie back to New York for an anniversary trip and, potentially, make seeing Tom Felton a complete surprise. As I searched I discovered that Dan Radcliffe would be appearing in "Every Brilliant Thing" From February 21 through May 24. I knew nothing of the show beyond it being a one-man cast with heavy audience participation. But I did know that seeing Tom and Dan perform on the same trip would be viscerally satisfying.
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| Simply Brilliant! |
So I sat with my phone, searching for tickets that intersected within a day or two of each other that were at least leaning towards the affordable end of the price spectrum. Luckily enough there was a matinee of Every Living Thing on April 22 at a price much more digestible than the evening productions, and a pair of fairly reasonable tickets for Cursed Child on April 23.
So, here we are, having a nibble at Pret A Manger before our matinee. The crisp walk of a few blocks provided an additional stretch and we arrived in ample time.
After reaching our seats I was somewhat shocked to see the star of the show scurrying around the theater talking to people. He'd introduce himself simply as "Dan" and offer a handshake, chat for a moment, then rush off to someone else. This continued right up to curtain time. As someone who lives near a movie studio, I've grown accustomed to meeting famous people in random situations and witnessed many uncomfortable interactions. "Dan" managed each encounter deftly and without fanfare, as if it were two people discussing their preferred flavor of ice cream in the grocery aisle. People seemed to be more stunned by his normalcy than his stardom, which I consider praise of the highest order.
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| Dan |
As previously mentioned, we had no idea what the premise of the play consisted of. In summary, it's a story of emotional struggle and growth, as seen from one person's perspective. The story is broad enough in scope that nearly everyone can gain something from it, and most will gain a great deal. We found ourselves moving from laughter to crying, and back, several times during the performance. There were twists and turns, and the audience participation was, dare I say, brilliant. There are warnings that the topic of suicide is mentioned, so please act accordingly if this is a concern. This is a production I would definitely see again, and would be interested in seeing a different lead performer as I think the personal interjections would make the contrast compelling. We thoroughly enjoyed ourselves and I'm thankful that we had the good fortune for things to come together as they did.

After the play we had a few hours to relax before hopping in a Lyft to another highlight of the trip - dinner at
Le Bernardin. I've been a fan of
Eric Ripert since I first discovered him, thanks to Top Chef. My first impression was of the classic snobbish French chef. After watching a couple of episodes with him as guest judge I realized I was horribly mistaken and he seemed to be a regular nice guy with a passion for the culinary arts that couldn't be contained. His passion and focus in those days could overwhelm his foundational "good guy" demeanor and sometimes he came across as a bit on the brusque side. As his public persona has grown I think that Chef Ripert has overcome this tendency and communicates his enthusiasm with a disarming, almost a youthful, charm. Eating at his restaurant became a goal many years ago, and I finally had my chance.
Reservations at Le Bernardin at "civilized" hours are not easy to come by unless you plan in advance. Reservations for the month open on the first of the prior month, at 7:00 am online and 9:30 am via telephone. I didn't have any issues making our reservation, but I was online just a few minutes after 7:00 on March 1. Generally speaking you can get a table late in the evening (10:00-10:30 seating) with just a few days notice. Seating in the bar and lounge are on a "first come" basis (come early to avoid a wait) and feature the same quality if not the same selection of dishes.
My original intent (pre-Patsy's) was to indulge in the Chef's Tasting Menu with wine pairings. Unfortunately neither of us had quite the appetite for that, so we "downgraded"
(heavy sarcasm) to the more "pedestrian" <cough> four course Prix Fixe menu and a glass of wine.
We've enjoyed several tasting menus of varied themes and influences over the years, in a selection of Michelin-starred restaurants, this being somewhat obviously the only Three Star venue we've visited. If you don't appreciate delicate and subtle, this may not be the place for you. This isn't to imply in any form or fashion that Le Bernardin lacks in any sense of the word, but you're not going to get sensory intensity in the manner of spice or heat. Everything is prepared to perfection, and the flavors are layered and delicate, coupled with textures that inspire adjectives that border on unsuitable for polite company.
Dinner started with an amuse bouche, which, shamefully, I failed to document in any way other than a photo. I blame shock, awe, and being a bit star-struck over actually sitting in the restaurant. I do remember that it was, in all respects, tasty, interesting, and a little challenging - which is what I consider to be the perfect combination. I don't want something I've had before, I want to try something different that the chef has prepared to display his creativity.
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Tuna
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We didn't make any tasting notes, so you've successfully avoided being bored to tears by inane descriptions of each dish, and I won't beat you about the shoulders with photos of every dish. Suffice it to say that nearly everything we had was the best of that particular preparation that we've ever had, with, perhaps, one exception, which I'll point out as I move through the dishes.
For the first course (entitled "almost raw" on the menu) Lourie selected the Crab Salad. It was presented as a perfectly round stack of layered ingredients with remoulade and sauce placed to the side, allowing you to build a bite of your preference. I enjoyed (and I do mean ENJOYED) the Tuna. It literally melted in my mouth, in both flavor and texture. I could have eaten a pound of this without regret.
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| Tuna Tataki |
The second course ("barely touched") consisted of tuna for Lourie (Tataki-style in this case) and the Scallop-Sea Urchin for me. Tuna Tataki is a favorite in our house; rarely does it appear on a menu and not get ordered. Even in the aftermath of the previous dinner Lourie managed to devour this with eyes rolled-back in her head. If I had to name my least-favorite dish of the evening, it was the Scallop-Sea Urchin. I anticipated an umami-bomb with the underlying sweetness of fresh scallop. Between the Sea Urchin and the broth the sweetness of the Scallops got lost. Texturally the dish was wonderful, flavor-wise it was nice, but lacked the depth and breadth I anticipated. Certainly not a "bad" dish, just the least remarkable of an array of world-class plates. I didn't take notes, but the dish is memorable in it's distinctiveness.
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| Dover Sole |
For the main ("lightly cooked") I had no choice. It simply had to be the Dover Sole. Any lack of amazement that I may have experienced in any other dish was eliminated by this plate of amazing flavor and delicacy. The Dover Sole exceeded my already high expectations. Lourie chose the lobster, which she reported was likely the best preparation she had ever enjoyed. While the Dover Sole was light and delicate in texture, the flavor was broad and rich. I've seen Chef Ripert prepare this dish many times on television and in videos, but had no idea it would be as good as it is.
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| Peruvian Dark Chocolate |
After basking in the afterglow of our main courses, we casually moved on to dessert. I chose the Pistachio, which was a lightly sweetened nougat that complemented the preceding dishes perfectly. Lourie selected the Peruvian Dark Chocolate, and absolutely swooned over it. The light and delicate adornment was an enigma - almost a pressed powder in texture as compared to a molded liquid. I'm no fan of dark chocolate (I attribute that to my Y chromosome) but a taste of this substantiated the praise I was witnessing across the table. I paired my dessert with a glass of Tokaji, an incredible wine from (primarily) Hungary that can be challenging to find. We were introduced to it about ten years ago at Victoria & Albert's in Walt Disney World. Tokaji is a sweet wine made from grapes affected by noble rot, it covers a range from the traditional syrupy dessert examples to a more modern dry presentation. My glass was along the middle of the sweet-dry spectrum and thoroughly enjoyable.
It's easy to be intimidated when dining in an establishment of this acclaim in a city such as New York. You may be sitting with a hedge fund manager on one side, who eats here weekly, and a couple on the other side celebrating a milestone with a once-in-a-lifetime experience - there's no way to know. We started the evening with two young gentlemen next to us, celebrating a birthday. One was about to get married and the other was anticipating the arrival of his first child. We were celebrating 36 years of marriage and had a three-month old grandson at home, which facilitated a little friendly conversation. Our experience exceeded our already lofty expectations in every regard and I hope to return in the not-too-distant future to partake in the tasting menu.
We hopped in another Lyft for the return to our hotel neighborhood, hopping out a a block away to stroll through Times Square and allow our dinner to settle a bit. We returned to our room for a much more restful evening than the night before, sated but not stuffed to the point of misery.
New York rarely fails to deliver a day filled with memories, usually good ones. This day ranked among the very best.